The Fixery
Group - RMIT Graduate Student - March to June 2025
I co-designed The Fixery, a speculative design project envisioning repair hubs across Melbourne, Australia. I focused on social innovation and branding strategies to encourage community engagement. Our work explored how local repair can dismantle toxic systems of overconsumption, hyper-individualism, and loss of cultural knowledge. I developed the brand identity for The Fixery using Figma, InDesign, and Illustrator.
This informed the basis of our project’s proposal: How might we engage busy working adults in metropolitan Melbourne by making the repair of household goods feel accessible, convenient, and personally rewarding?
Analysis from Terzioglu, N. and Svensson-Hoglund, S. (2020)
The Innocent
Age:
24
Bio:
Wants to do the right thing, but doesn’t know where to start.
Goal:
Reduce waste, shop less, live more sustainably.
Pain Point:
Doesn’t know who to trust for repair, can’t do it herself.
Need:
Visible, trusted community repair options near work or uni.
Motivators:
Seeing friends do it, a clear impact on the environment and social proof.
Generated Image Prompt:
Aria – The Innocent [Digital image] (2025) ChatGPT
We came up with a collection of ideas that we then compared to current precedents on a radar diagram to understand how our designs compare to current solutions concerning the enablers for repair.
We also prioritized Community as a characteristic for our design, as our research identified that theme as an important part of making impactful change.
We then analyzed our ideas with a leverage points diagram to understand what impact they may have on repair culture in Melbourne. We discovered that our FixSpaces idea could have the most impact while also integrating our other ideas as sub-components of FixSpaces.
As such, we decided to continue with FixSpaces as our main concept for this project, which developed our idea into The Fixery.
The Fixery’s branding is designed to be vibrant and locally relevant to Melbourne. This city is iconic for its abundance of graffiti, street art, and stickers plastered in public areas such as bathroom doors and street poles.
The palette I created is a vibrant orange and neon blue to represent the grit and energy of Melbourne’s urban identity. I also chose typography that is modern, clean, and approachable to pair with the logo.
The intention of the branding is to create both a reliable public service and a community-led movement. As such, The Fixery’s aesthetics are rooted in care to help people not only see repair as a solution, but as something joyful and collective.